https://forma.furikawari.com/books/ Recent content in Books on Форма лева Hugo -- 0.118.2 uk https://forma.furikawari.com/books/impove-fast/improve-fast-00/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/impove-fast/improve-fast-00/ https://forma.furikawari.com/books/impove-fast/improve-fast-01/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/impove-fast/improve-fast-01/ https://forma.furikawari.com/books/impove-fast/improve-fast-02/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/impove-fast/improve-fast-02/ https://forma.furikawari.com/books/impove-fast/improve-fast-03/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/impove-fast/improve-fast-03/ https://forma.furikawari.com/books/impove-fast/improve-fast-04/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/impove-fast/improve-fast-04/ https://forma.furikawari.com/books/impove-fast/improve-fast-05/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/impove-fast/improve-fast-05/ https://forma.furikawari.com/books/impove-fast/improve-fast-06/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/impove-fast/improve-fast-06/ https://forma.furikawari.com/books/impove-fast/improve-fast-07/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/impove-fast/improve-fast-07/ https://forma.furikawari.com/books/impove-fast/improve-fast-08/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/impove-fast/improve-fast-08/ https://forma.furikawari.com/books/impove-fast/improve-fast-09/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/impove-fast/improve-fast-09/ https://forma.furikawari.com/books/shape-up/shape-up-00/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/shape-up/shape-up-00/ Підтягни Форму! Сеон-Джун Кім Чарльз Метьюс https://forma.furikawari.com/books/shape-up/shape-up-01/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/shape-up/shape-up-01/ Creative Commons Attribution-ShareAlike 4.0 Це короткий виклад ліцензії (а не її заміна), придатний для читання людиною. Ви можете вільно: Поширювати — копіювати і розповсюджувати матеріал у будь-якому вигляді чи форматі для будь-яких цілей, навіть комерційних. Змінювати — реміксувати, трансформувати, і брати матеріал за основу для будь-яких цілей, навіть комерційних. Ліцензіар не може відкликати ці дозволи поки ви дотримуєтесь умов ліцензії. На наступних умовах: Зазначення авторства — Ви маєте вказати автора , розмістити посилання на ліцензію та вказати чи було внесено зміни до твору . https://forma.furikawari.com/books/shape-up/shape-up-02/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/shape-up/shape-up-02/ Changelog Дата Автор Зроблені зміни 2015-01-22 Акіта Ноек Перепаковано в один PDF-файл, доданий зміст, титульна сторінка, ліцензія та історія змін. 2019-12-11 Браян Данн Покращені лінії в сітках діаграм, вбудовані шрифти. https://forma.furikawari.com/books/shape-up/shape-up-03/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/shape-up/shape-up-03/ Вступ: Область застосування форм Що таке форма? Сильні гравці в ґо мають в своєму арсеналі чимало шаблонів гри. І хоча форма (японською катачі) в загальному сенсі означає шаблон, що часто зустрічається на дошці, буде корисно уточнити це формулювання. Найочевиднішими кандидатами до цінних форм є ті, що виявляють розташування життєво важливих точок. Життєво важлива точка це ключова позиція. Зайняття її автоматично дає добрий результат, не через якусь магію, а завдяки особливостям позиції. https://forma.furikawari.com/books/shape-up/shape-up-04/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/shape-up/shape-up-04/ Приклад, оформлений у стилі джосекі Решта вступу присвячена одному шаблону дебюта. Такий підхід є типовим для книг про джосекі: ви берете один кутовий дебют і обговорюєте низку його варіацій. Далі ви отриматєте уявлення про загальний обсяг ідей щодо форми та приклади деяких основних прислів’їв у контексті прийняття рішень. Недоліком цієї статті є те, що в ній немає єдиного висновку або основної думки. Це частково пояснює, чому в більшій частині книги ми дотримуємося іншого підходу. https://forma.furikawari.com/books/shape-up/shape-up-05/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/shape-up/shape-up-05/ Part One. Principles of Development Chapter One Table Shapes 1.1 Three strong shapes This chapter introduces a number of strong shapes. Strong shape isn’t the only kind of good shape, but this is a place to start. {{Dia 20}} {{Dia 21}} {{Dia 22}} (Left) The basic table shape. (Centre) The double table, a perfect eye shape, and made up of two superposed table shapes, the second one marked. (Right) The bamboo joint, differing from the table shape only as marked. https://forma.furikawari.com/books/shape-up/shape-up-06/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/shape-up/shape-up-06/ Chapter Two. Shape Basics 2.1 Introduction: functions and comparisons Chapter 1 showed some strong and useful shapes, but you need principles as well. The first steps in understanding shape come not with looking at specific patterns, but with the idea that certain plays work well, where others disappoint. {{Dia 57}} {{Dia 58}} The one-point jump White 1 in the left-hand diagram doesn’t allow White to keep the two Black stones separate: after Black 6 Black will be able to play at A or B. https://forma.furikawari.com/books/shape-up/shape-up-07/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/shape-up/shape-up-07/ Chapter Three. Close Range Play 1 Imagine you move to a large city. To begin with, you go everywhere by car or on foot. After a while you discover how to use public transport, and your life becomes a little easier if less individualistic. It is part of the experience of coming to belong, in your urban environment. This chapter and the two that follow it are at the heart of our conception of shape. https://forma.furikawari.com/books/shape-up/shape-up-08/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/shape-up/shape-up-08/ Part Two. Principles of Engagement Chapter Four. Starting from Hane 4.1 Play hane at the head of two stones {{Dia 220}} {{Dia 221}} The Black stone marked with a triangle is an example of the hane (‘hahnay’) play, round the end of your opponent’s stones, leaving a cutting point. (Right) Black 1 is hane at the head of two White stones, and Black 3 is a second hane. When it works, this double hane is a powerful way to play. https://forma.furikawari.com/books/shape-up/shape-up-09/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/shape-up/shape-up-09/ Chapter Five. Close Range Play 2 5.1 Approach plays and gain lines Approach plays (kakari in Japanese) are the first elements learned in opening play. They can happen anywhere on the board. {{Dia 279}} {{Dia 280}} Where they do occur, there is a confrontation, across a gain line, marked in these diagrams. One way to get a local advantage is to push your opponent back, relative to these lines. {{Dia 281}} {{Dia 282}} https://forma.furikawari.com/books/shape-up/shape-up-10/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/shape-up/shape-up-10/ Chapter Six. Blocking Off 6.1 Open skirts and crawling plays Plays on the fourth line are much used in modern go, despite the open skirt they leave on the second line. They emphasise influence over territory. Proper shape to block off is essential, since attacking play alone isn’t enough. {{Dia 325}} White has slid under a fourth line play. How should the game continue? {{Dia 326}} Black normally plays back with a diagonal at 1. https://forma.furikawari.com/books/shape-up/shape-up-11/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/shape-up/shape-up-11/ Part Three. Practical Fighting Chapter Seven. Eight Faces of Cutting 7.1 Windmills to pancakes {{Dia 451}} {{Dia 452}} There are a number of fundamental patterns in cross-cut fights. The first is the plain extension Black 1 here. Proverbially, it is better from Black than any of the four ways to play atari: Cross-cut? Extend! {{Dia 453}} {{Dia 454}} The point is that Black 1 in the left-hand diagram turns out badly, if Black needs 3 also, and White can capture in a ladder. https://forma.furikawari.com/books/shape-up/shape-up-12/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/shape-up/shape-up-12/ Chapter Eight. Attach-Extend Mysteries 8.1 The common cutting points {{Dia 512}} This attach-extend pattern is played by Black to become solid, and move across the gain line. But in fact it leaves a number of cutting points (A for White, D after White B, Black C, and E for Black). {{Dia 513}} {{Dia 514}} Trick plays (White’s cutting point matters greatly). (Left) A ko fight, and Black has a threat at A. https://forma.furikawari.com/books/shape-up/shape-up-13/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/shape-up/shape-up-13/ Chapter Nine Escapology Making an exit The point of view in Chapter 6 was simply to describe good shape for blocking off, and for preventing it happening to you. In the middlegame the need to escape will add another dimension. There is more to escape than just avoiding being shut in. Escaping is about finding a way out to the centre with a weak group. If your weak group cannot escape, it may actually die. https://forma.furikawari.com/books/shape-up/shape-up-14/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/shape-up/shape-up-14/ Part Four. Vital Points and Shape in the Opening Chapter Ten. Extensions and Invasion Points 10.1 The two-point extension is stable {{Dia 669}} This extension with a two-point gap is the fundamental building block for play on the sides. Much of the ordinary reasoning about finding a base for groups in the opening centres on extending in this way. Of all the ways to construct a two-stone group on the side, this one is the most stable. https://forma.furikawari.com/books/shape-up/shape-up-15/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/shape-up/shape-up-15/ Chapter Eleven. Cramp 11.1 Two-point extension: the placement {{Dia 708}} {{Dia 709}} This chapter gives the other side of the story on the two-point extension. When it is cramped by two White stones, as shown in the left-hand diagram, it can be attacked in many ways. The placement (right) at 1 or A is something of a revelation, when you first discover it. {{Dia 710}} {{Dia 711}} Next if Black blocks at 2, White should play 3 in the left-hand diagram; the other choice (right) can be criticised. https://forma.furikawari.com/books/shape-up/shape-up-16/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/shape-up/shape-up-16/ Chapter Twelve. Outnumbered 12.1 Calculated risks There are several good reasons why you may want to leave a situation on the board, and play away. In the realm of tactics, you may wish to ignore a ko threat, or ladder-breaker. That is, you expect a greater advantage by playing elsewhere. There can also be good strategic reasons. Opening strategies from hundreds of years ago showed both players ignoring the plays of the other. https://forma.furikawari.com/books/shape-up/shape-up-17/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/shape-up/shape-up-17/ Part Five. Theory Chapter Thirteen. Theory Applying to Effective Play 13.1 Doing the necessary, or losing the plot? The central character in Pushkin’s Queen of Spades is led to his downfall by overriding his cherished principle, of ‘not risking the necessary to gain the superfluous’. In go, it is often hard to understand how to distinguish the two. One aspect of improving your strength is to shed all unnecessary plays. In a sense this is more important than making good shape. https://forma.furikawari.com/books/shape-up/shape-up-18/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/shape-up/shape-up-18/ Chapter Fourteen. Haengma The final two chapters of this book have something in common. They both touch on more advanced topics that can be said to require middlegame thinking. That is, they push on beyond the circle of ideas in the Introduction and early chapters, to deeper aspects of fighting. They also concern ways of playing that may appear dangerous to those who haven’t studied them. This chapter looks at examples of what Korean players call haengma (literally, the moving horse), a kind of distillation of the feeling of movement on the board that accompanies the development of groups. https://forma.furikawari.com/books/shape-up/shape-up-19/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/shape-up/shape-up-19/ Chapter Fifteen. Sabaki The sabaki concept is one of the most important developed in the Japanese tradition of professional go. {{Dia 856}} {{Dia 857}} This example occurred in 13.3. White should have planned how to play before arriving in this position. (Left) Black has played an extra marked stone, to cover the possible cut in the attach-extend formation. After that the marked white stones are in White’s view disposable, non-key stones, and may be sacrificed. https://forma.furikawari.com/books/shape-up/shape-up-20/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/shape-up/shape-up-20/ Problem Set 3. Advanced All problems Black to play {{Dia 894}} {{Dia 895}} {{Dia 896}} {{Dia 897}} {{Dia 898}} {{Dia 899}} The shoulderhit Black 1 settles the shape on the top side first. Both diagrams show Black in a position to block off the right side. 2 {{Dia 900}} {{Dia 901}} The plain extension (left) is a good play. After it Black can attack on the right side. (Right) Black 1 here is heavy, and still leaves the cut at A behind. https://forma.furikawari.com/books/shape-up/shape-up-21/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/shape-up/shape-up-21/ Index of shapes Anonymous shape {{Dia 930}} Attach-extend {{Dia 931}} Butting play {{Dia 932}} Bamboo joint {{Dia 933}} Angle play {{Dia 934}} Arrowhead {{Dia 935}} Bend {{Dia 936}} Cap {{Dia 937}} Cat’s face (see bulge) Big bend {{Dia 939}} Clamp {{Dia 940}} Asymmetric shape {{Dia 941}} Attach-block {{Dia 942}} Contact plays {{Dia 943}} Big bulge {{Dia 944}} Extension {{Dia 945}} Counter-hane {{Dia 946}} Double hane {{Dia 947}} Cross-cut {{Dia 948}} https://forma.furikawari.com/books/shape-up/shape-up-22/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/shape-up/shape-up-22/ Index of terms 123 principle ABC principle almost sente amarigatachi amashi approach plays blocking off calculated risk Chinese style compound shape compromised diagonal connection counting cramped group direction of play disposable stones double-purpose play driving play efficiency eye shape fixed shape flexibility focal play following the opponent round forcing play fourth line gain line Guanzi Pu/Kanzufu haengma half-blocking play heavy shape hem play invasion point invasions joseki katachi liberties light shape miai mole play nose plays open skirt playing close pushing from behind probe radius-five shape reduction play sabaki sacrifice sector line second line shibui submarine play suji tesuji two-dimensional shape vital/key point vulgar play wasted play WYSIWYG https://forma.furikawari.com/books/shape-up/shape-up-23/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/shape-up/shape-up-23/ List of proverbs Any fool can connect against a peep Attack with the knight’s move Capture the cutting stone Cross-cut? Extend! Don’t butt towards the centre Don’t go back to patch up Don’t peep both sides of a bamboo joint Don’t permit the bulge Don’t play 1-2-3, just play 3 Don’t push into a knight’s move Extend three from a two-stone wall Killing two birds with one stone My opponent’s vital point is my vital point Peep directly Play at the centre of three stones Play hane at the head of three stones Play hane at the head of two stones Play lightly to counter influence Ponnuki is worth thirty points Preserve symmetry Stay away from thickness Strike at the waist of a knight’s move https://forma.furikawari.com/books/shape-up/shape_up_v1.2/ Mon, 01 Jan 0001 00:00:00 +0000 https://forma.furikawari.com/books/shape-up/shape_up_v1.2/ Shape Up! Seong-June Kim Charles Matthews Creative Commons Attribution-ShareAlike 4.0 This is a human-readable summary of (and not a substitute for) the license You are free to: Share - copy and redistribute the material in any medium or format Adapt - remix, transform, and build upon the material for any purpose, even commercially. The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms: